A Novel by Ernest Torrs

The Most Captivating Journey into Darkness

Cancer Man's Chapters — Book One: The Gemini Woman

The Gemini Woman

Book One — The Genesis

The Gemini Woman

A Tale that will make you think about Lifetime Lessons

Cojímar, Cuba — the summer of 1994. The power dies for twelve hours a night, and the whole village spills onto its porches in the dark. Next door to a restless twenty-one-year-old lives one of the most desired women in the neighbourhood — married, poised, fourteen years his senior. One blackout, one conversation across a porch railing, and two lives that were never meant to touch begin to collide.

He has been trained to guard the center of himself by giving nothing away — and it is precisely that stillness that undoes her. What follows is tender, reckless, and ruinous: an affair that empties a marriage, summons a raft into the Florida Strait, and marks them both for the rest of their lives.

Years later and an ocean away, a broken London writer is handed a stranger's leather notebook and sent to find the man who lived it. Cancer Man's Chapters is that confession — a life told one zodiac at a time. This is where it begins.

Read the Opening · Introduction

The Stifling of London

He looked at me a long moment, deciding how much to reveal.

We had been sitting for hours. The Atlantic beyond the shore had gone the color of slate. I had crossed an ocean and half a continent to reach this porch in the Florida Keys — on the word of a stranger I had met in a London coffee shop and would never see again — and I still did not know the woman’s name. He had not offered it. He offered almost nothing; that, I would learn, was what he feared most: disclosing the truth.

“You want to know about her,” he said. It was not a question. “The Gemini Woman.”

“I want to know all of it,” I said.

The Cancer Man looked at the pen in my hand before he looked at me.

To understand how I came to be on that porch — how a broke, divorced Englishman with dried-up ink ended up recording his confession — you have to go back with me to London, and to a woman.

My name is Ernest Torrs.

Three lives changed that stifling evening.

The city felt heavy that day, the damp chill going straight to the bone. I drifted through the streets like a man in a dream he had stopped trying to wake from. The clamour thinned; the cobblestones smelled faintly of old books and worn leather, and somewhere out of sight a street musician played something I couldn’t quite catch. The lane I had turned down opened onto a small coffee shop called Orbay’s — the kind of place where the clocks had loosened their hands and the city exhaled.

A bell chimed as I pushed the door open. Inside, the air was warm and golden, thick with roasted beans and buttered pastries, mismatched mahogany furniture crowding the room. I found a corner seat, set down my bag, and felt some part of the weight I’d carried loosen for the first time in months.

And that was when I noticed her properly.

At the far end of the room, a woman sat reading — a dark coat against the unseasonable cold, her face half-shadowed under a wide hat. There was nothing especially mysterious about her at first glance: a tourist, it seemed, reading out of the weather. But something in her manner held me. She turned the pages without hurry.

I couldn’t stop looking. Our eyes met — hers an unusual green, the deep green of moss after rain. Her hair was a tarnished gold, loosely pulled back. She might have been thirty-five, she might have been forty; she had the quiet poise of a woman who had stopped expecting to be looked at without a reason.

She held my gaze longer than a stranger should — long enough that I knew she was inviting something neither of us could yet name. I am a careful man, not a bold one. But watching a woman who would not look away, I felt my caution give.

I stood up. I had no plan. I crossed the floor to her table.

“Mind if I join you?” My voice came out too British, too stiff — the stilted delivery of a man in a period drama who has forgotten his lines.

She looked up, pushed the brim of her hat back just enough to see me clearly, and a slow smile tugged at one corner of her mouth. “Please. Take a seat.” She was American — a soft Southern lilt that turned a courtesy into an invitation. I sat. The notebook lay between us like a third presence: leather-bound, heavy, unnamed.

I asked what she was reading. “Some musings about a man I once knew,” she said, her fingers tracing the cover. “The most captivating journey into darkness. But that’s a tale for another time.” She tilted her head. “What brings you here?”

“A writer who’s lost his words. Then I stumbled into this place and, well… I noticed you.”

She did not smile. “And what does a writer want with a woman reading in a corner?”

“The truth? I don’t talk to strangers, and I certainly don’t approach mysterious women in cafés. But something about you felt less like an impulse than a command to approach you I had no choice but to follow.”

She laughed — a clean, unguarded sound — and looked at me a beat longer. Then she asked what I wanted to write.

“I want to write a firsthand odyssey,” I said, the idea taking shape as I spoke. “Built on experiences actually worth living. Hollywood fills people’s heads with fairy tales everyone wants and no one truly inhabits. I want mine to be different — bold, ugly, real. Pain, betrayal, jealousy. The sharp edges of an actual life. And at the end, a rebirth into something good.”

“You’d be surprised how few people want the pain and the ugly,” she said. “It costs more than they expect.”

“I’ve already paid. A divorce, a career, most of what I thought I was. I’d rather it bought me something worth writing.”

Something in her opened and shut again, just as fast. She told me a little: that she had come from Miami and had to leave it; that she was married; that she had known a man there — a Cuban-American, older than her, unlike anyone she’d met.

“He was the only still thing in the room,” she said. “Everyone else was performing. I asked what he was running from, and he asked me the same question back. No man had ever handed me the question before. They always wanted to tell me. He just… waited. I fell for him.”

“Where was he from?”

“Cojímar. A town in Cuba where time had stopped. When he said it, a door opened in his face onto a room he hadn’t entered in years. I asked him to tell me. He began — then stopped, said two words, and would not say another.”

“What two words?”

“A forbidden—” She stopped exactly where he had stopped. “That was all. I spent quite a while trying to learn how the sentence ended. That’s usually how he works.”

“How he works?” I said. Her hand had drifted back to the cover. I watched her almost offer it — and then not. Whatever she was weighing, I had not tipped it.

“It’s late,” she said, and the shutter came down. She stood, gathering the book against her coat as though I might reach for it.

“You have me at a disadvantage,” I said. “I don’t even have your name.” She looked at me a moment longer, deciding. “Sabela,” she said. “Sabela DeRego.” A gift, and a small one, and all she meant to give.

She was already at the door when she said the rest — half over her shoulder, almost to herself. “We may see each other again.”

“What do you mean?” I said. “When?”

But the bell had already chimed, and …

The woman in the wide hat is still at the back of the shop.

The Protagonist

The Cancer Man

Water · the Crab · the narrator

No face. No name.

Born by the sea in Cojímar — on the very day, the story goes, that the old town was founded. A water sign ruled by the moon: he feels everything and shows nothing, guarding the center of himself behind a shell he has worn since boyhood.

He is classic, traditional — a man of proper suits and longer silences, of chess and old books and the company of elders. He would cross an ocean for his freedom. Every woman he has loved becomes a chapter; every chapter, a scar he chose to keep.

He is the still point at the centre of it all — the one who finally confesses, and the one whose face you will never see. No name. No photograph. Only the truth, told one sign at a time.

I feel, therefore I am.

The Triskele amulet — three interlocked spirals in dark silver

His Grandmother's Gift

The Triskele

Three interlocked spirals in dark silver, pressed into his palm at sixteen — and carried across every crossing since. Read its story →

The Series

One Man, Twelve Romances

His mother read the stars the way his father read books. He is Cancer — the still point at the center of it all. Around him, twelve women, one beneath every sign of the zodiac. One of them, a Cancer like him. Each is a chapter; each book, a sign. Three are written; the map is still being drawn.

The main character

The Cancer Man

Water · the Crab · the narrator

He feels everything and shows nothing. Every woman who follows is a chapter of his life — and the whole series is his confession.

The twelve women — one for every sign

The Places

Real ground, real weather

Nothing here is invented scenery. The story moves through places that exist — and this is where it breathes.

Cuba

Cojímar

A fishing village a heartbeat from Havana — blackouts, salt, and a Spanish fortress at the river's mouth. Where it all begins.

Cuba

Havana

The city that swallowed her whole, and the apartment where a marriage quietly came undone.

Florida Keys

Islamorada

Salt air that was meant to wash everything clean. It didn't. A man and his ghosts, decades later.

England

London

A back-alley café called Orbay's, a stranger in a wide hat, and the notebook that started the search.

Lines only stay parallel in geometry — in real life, they collide.Most of life happens in the dark. We just don't notice.I wanted to write something that leaves a scar.Some truths are too dangerous to wear their real names.He guarded the center of himself behind a stillness no one could break.Maybe your story needs a little darkness.Three lives changed that stifling evening.My name is Ernest Torrs. I was that writer.

The Author

Ernest Torrs

a pen name — and a deliberate one

Ernest Torrs is a British writer whose work lives at the intersection of fate, consequence, and the unlit corners of human desire. His voice was forged in the grey corridors of London — a city he wandered like a ghost after a divorce, a creative drought, and a life that had quietly collapsed beneath him.

Then, on a stifling July evening in 2022, a woman in a café off an unmarked alley handed him a weathered, leather-bound book — and the work that would define him began.

He is not a writer of fantasies. He is a writer of reckonings.

No face. No name. Only the work.

Questions

Asked & Answered

Is this a true story?

Cancer Man's Chapters is a novel — a work of fiction. Ernest Torrs is a pen name, and the narrator carries it on purpose: where the author ends and the narrator begins is part of the work. What it is made of stays between the lines.

When can I read it?

The series is still being finished, and no release date has been announced — there will be no date here until it is real. The opening of Book One is already on this site, free to read. Join the release list and you will hear the moment there is more.

Where can I buy it?

Nowhere yet — the books are not for sale anywhere. When that changes, the people on the release list will be told first.

Why a pen name? Why no face?

Because the work should stand alone. No face, no name, no biography to lean on — only the writing. If the pages cannot earn your attention by themselves, a photograph of their author should not be allowed to.

Is the astrology real?

The zodiac is the architecture of the series — twelve signs, twelve women, one Cancer Man. The compatibility readings on this site are astrological interpretation written for the story; they are offered as literature, not as fact or advice.

How many books will there be?

The shape of the series is the zodiac itself: twelve signs. Gemini, Libra and Capricorn have claimed their books; the rest of the map is still being drawn.

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